I am waiting
for the foot to slide,
for the heart to seize,
for the leaping sinews to go slack,
for the fight to the death to be fought to the death…

—Edwin Morgan, “Hyena”
Published in Centenary Selected Poems, Carcanet 2020

Happy !

scottishpoetrylibrary.org.uk/p

15 hours ago

(1920–2010) was born , 27 April – a 🎂 🧵

Push the boat out, compañeros,
push the boat out, whatever the sea.
Who says we cannot guide ourselves
through the boiling reefs, black as they are…

—Edwin Morgan, “At Eighty” – written for his own 80th birthday


1/11
scottishpoetrylibrary.org.uk/p

18 hours ago

“This is a book that is full of reported truth. I didn’t want to ever be in a position where I was kind of guessing.”

Glasgow Review of Books interviews Andrew O’Hagan about his latest novel CALEDONIAN ROAD

@bookstodon

glasgowreviewofbooks.com/2024/

1 day ago

Poet, the flowers are open
even when we are dead
even when the power has gone
from our right arms…

—Iain Crichton Smith, “At the Funeral of Robert Garioch”
in DEER ON THE HIGH HILLS, Carcanet 2021, ed. John Greening

Robert Garioch (1909–1981), one of the greatest figures in , died , 26 April

1 day ago

‘A Different World’: Dorothy K. Haynes’s Domestic Horror

Timothy C. Baker, GOTHIC STUDIES 24/1, 2022

“Although Haynes published widely in the middle decades of the twentieth century, and her work was republished in two ‘best of’ collections in 1981 and 1996, her stories remain underexamined. At her best, Haynes might be thought of as Scotland’s answer to Shirley Jackson…”

@litstudies

euppublishing.com/doi/full/10.

2 days ago

HASTE YE BACK
by Dorothy K. Haynes
edited by Craig Lamont

A gifted writer of & fiction, Dorothy K. Haynes (1918–1987) grew up in Aberlour Orphanage. In this memoir, she brings to life the residents & stories of the institution that shaped her

asls.org.uk/publications/books

2 days ago

“What matters now is the momentum in studying Haynes and her unique voice in Scottish literature, and making the best use of it going forward.”

With the republication of Dorothy K. Haynes’ memoir HASTE YE BACK, Craig Lamont explains why we should be reading Haynes now, & why she fell out of the canon.

booksfromscotland.com/2024/04/

2 days ago

This month, a new adaptation of Lewis Grassic Gibbon’s SUNSET SONG takes to the stage. Set in NE on the brink of WWI, director Finn den Hertog’s production excavates the novel’s grittier themes. “We wanted to get back to the brutality of the book. It’s a book about a life. It’s a book about the land. It’s a book about trauma. It’s a book full of rich, thrilling characters & opposites & dichotomies.”

theskinny.co.uk/theatre/interv

2 days ago

Gave yet another lecture. God, I’m boring.
Said all the same old things I’ve said before
With touches of ‘however-ing’ and ‘therefore-ing’.
Dear God, it’s true, I’m just an ancient bore…

—Douglas Dunn, “Thursday”
in THE NOISE OF A FLY, Faber 2017

scottishpoetrylibrary.org.uk/p

2 days ago

The reason, gin ye waant the truth,
I sleep like this – ma gairdie stieve
upon yer breist, its steekit nieve
laid on yer sma’ hert like an aith –

is no’ for waarmth or peace o’ mind
but that in ma dreams, ma dou,
I’m staunin here upricht, wi’ you
the lang sheld that I grue ahind.

—Don Paterson, “The Human Sheld”
published in RAIN (Faber 2010)

faber.co.uk/product/9780571251

3 days ago